Tracklist
|
Symphony No. 5, Op. 47
|
| 1 |
I. Moderato |
17:56
|
| 2 |
II. Allegretto |
4:58
|
| 3 |
III. Largo |
14:28
|
| 4 |
IV. Allegro Non Troppo |
9:21
|
|
The Rite Of Spring
|
| 5 |
The Adoration Of The Earth |
15:46
|
| 5.1 |
Introduction |
3:15
|
| 5.2 |
The Auguries Of Spring / Dance Of The Adolescent Girls |
3:22
|
| 5.3 |
Game Of Abduction |
1:22
|
| 5.4 |
Spring Rounds |
3:53
|
| 5.5 |
Games Of Rival Tribes |
1:55
|
| 5.6 |
Procession Of The Sage |
0:41
|
| 5.7 |
The Sage |
0:19
|
| 5.8 |
Dance Of The Earth |
1:18
|
| 6 |
The Sacrifice |
17:44
|
| 6.1 |
Introduction (The Pagan Night) |
3:55
|
| 6.2 |
Mystic Circles Of The Young Girls |
3:17
|
| 6.3 |
Glorification Of The Chosen One |
1:44
|
| 6.4 |
Evocation Of The Elders |
0:53
|
| 6.5 |
Ritual Action Of The Elders |
3:22
|
| 6.6 |
Sacrificial Dance (The Chosen One) |
4:42
|
Credits
-
Art Direction
–
Anilda Carrasquillo
-
Composed By
–
Dmitri Shostakovich (tracks: 1 - 4),
Igor Stravinsky (tracks: 5 and 6)
-
Conductor
–
Lorin Maazel
-
Design
–
Anilda Carrasquillo,
Susan Cybulski
-
Edited By [Literary]
–
William C. Baxter
-
Engineer
–
Jack Renner
-
Liner Notes [French]
–
Patricia Dussaux
-
Liner Notes [German]
–
Gila Fox
-
Orchestra
–
The Cleveland Orchestra
-
Photography By
–
Tom Russo
-
Producer [Assistant]
–
Ronald Whitaker
-
Producer [Recording]
–
Robert Woods
-
Producer [Supervisor]
–
Elaine Martone
Notes
Total Playing Time: 80:31
*** Technical Information ***
SHOSTAKOVICH - Recorded in Masonic Auditorium, Cleveland, Ohio, April 5, 1981
STRAVINSKY - Recorded in Severance Hall, Cleveland, Ohio, May 14, 1980
Microphones: Shoeps Collete Series
Digital Recording Processor: Soundstream Digital Recorder
Console: Neotek, custom built
Monitor Speakers: SHOTAKOVICH - ADS Model 1530 (Bi-amplified)
STRAVINSKY - ADS Model BC-8/II (Bi-Amplified)
Power Amplifiers: Threshold Model 4000
Microphone & Interconnecting Cables: Audio-Technica
Digital Editing: Soundstream
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting or equalization) at any step during production.
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