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Ars Perfecta (An Internationally Unified Language C. 1500)
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Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés
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| A1 |
Pater NosterComposed By – Jacob Obrecht |
4:25
|
| A2a |
Ich Draghe De Mütse ClütseComposed By – Jacob Obrecht |
1:30
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| A2b |
La La Hö HöComposed By – Heinrich Isaac |
1:25
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| A2c |
Mijn Morken GafComposed By – Jacob Obrecht |
1:20
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| A3 |
Pour Ung JamaisComposed By – Pierre de la Rue |
2:15
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| A4a |
Je Ne FayComposed By – Anon.*, Spinacino* |
5:35
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| A4b |
Mille RegretzComposed By – Josquin Des Prés, Narvaez*, Heckel* |
6:15
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| A5 |
Caeciliam CantateComposed By – Nicolas Gombert |
2:50
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The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style)
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Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music
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| B1a |
Tastar De Corde / RecercarComposed By – Joan Ambrosia Dalza |
4:40
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| B1b |
CalataComposed By – Anon.* |
| B1c |
Ave MariaComposed By – Bartolomeo Tromboncino |
2:10
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| B2a |
Ostinato Vo' SeguireComposed By – Bartolomeo Tromboncino |
1:05
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| B2b |
Suite ReginaComposed By – Anon.* |
2:20
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| B2c |
Chui Dicese E Non L'amareComposed By – Anon.* |
1:35
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| B2d |
Pavana VenetianaComposed By – Anon.* |
1:05
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| B2e |
Se Mai Per MaravegliaComposed By – Anon.* |
3:10
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| B2f |
Suite FerrareseComposed By – Joan Ambrosia Dalza |
2:45
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| B2g |
Hor Che'l Ciel E La TerraComposed By – Bartolomeo Tromboncino |
2:20
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| B3a |
Palle, PalleComposed By – Arrigo Isaac* |
2:10
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| B3b |
Ne Più Bella Di QuesteComposed By – Arrigo Isaac* |
1:10
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| B3c |
Quis Dabit PacemComposed By – Arrigo Isaac* |
3:40
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Les Cris De Paris (One Hundred Years Of French Musical Fashion)
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Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety
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| C1a |
Virgo CelestiComposed By – Loysete Compere* |
1:30
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| C1b |
Belle, Tenés Moy / La TriquotéeComposed By – Anon.* |
2:45
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| C1c |
Celle Qui M'a DemandéComposed By – Anon.* |
1:20
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| C1d |
La, La, La, L'Oysillon Du BoisComposed By – Jean Mouton |
1:10
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| C2a |
Las, Je M'y PlainsComposed By – Claudin de Sermisy |
1:10
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| C2b |
Content DésirComposed By – Claudin de Sermisy |
3:10
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| C2c |
Content Désir Basse DanseComposed By – Attaingnant* |
| C3 |
Les Cris De ParisComposed By – Clément Janequin |
6:20
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| C4 |
Hélas, Hélas, Que De MalComposed By – Guillaume Costeley |
3:35
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| C5a |
Fière CruelleComposed By – Claude Le Jeune |
2:20
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| C5b |
FantasiaComposed By – Eustache Du Caurroy |
2:00
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| C5c |
Mignonne AllonsComposed By – Anon.* |
3:55
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| C5d |
Las, Je N'eusseComposed By – Anon.* |
| C5e |
Prince La France Te VeutComposed By – Eustache Du Caurroy |
1:45
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Fa La Li Le La
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The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century
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| D1a |
Sentomi La FormiculaComposed By – Fillippo Azzaiolo |
0:45
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| D1b |
Quando La SeraComposed By – Fillippo Azzaiolo |
1:00
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| D2a |
Pavana De La Mortè De La RagioneComposed By – Anon.* |
2:05
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| D2b |
L'e Pur Morto Feragù Composed By – Anon.* |
2:05
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| D2c |
Saltarello De La Morte De La RagioneComposed By – Anon.* |
0:55
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| D3a |
La Bella FranceschinaComposed By – Anon.*, Pacoloni* |
3:35
|
| D3b |
GiromettaComposed By – Anon.*, Azzaiolo* |
3:25
|
| D4a |
Pavana El TodeschoComposed By – Anon.* |
1:05
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| D4b |
Mi Stare Pone TotescheComposed By – Cosimo Bottegari |
1:50
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| D4c |
Matona Mia CaraComposed By – Orlando Di Lasso* |
2:20
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| D5a |
Passamezzo CommunComposed By – Giovanni Pacoloni |
6:25
|
| D5b |
RecercadaComposed By – Diego Ortiz |
| D5c |
Padoana CommunComposed By – Giovanni Pacoloni |
| D6 |
Cathalina, Apra FinestraComposed By – Orlando Di Lasso* |
3:35
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|
Quodlibet
|
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Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century
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Germany:
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| E1a |
Christ Der Ist ErstandenComposed By – Anon.*, Hans Judenkünig* |
1:45
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| E1b |
O Rosa Bella / Hastu MirComposed By – Anon.*, Dunstable* |
1:20
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| E1c |
Der Ratten SchwanzComposed By – Anon.* |
1:40
|
| E1d |
Die KatzenpföteComposed By – Anon.* |
0:55
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| E1e |
Elslein, Liebstes ElseleinComposed By – Anon.* |
2:00
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| E2a |
Bruder KonradComposed By – Anon.*, Isaac* |
1:55
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| E2b |
Nach Willen DeinComposed By – Hoffheymer*, Heckel* |
4:40
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| E2c |
Vitrum Nostrum Gloriosum Composed By – Georg Forster |
1:15
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Spain:
|
| E3a |
La SpagnaComposed By – Francisco de la Torre |
1:10
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| E3b |
Adoramos Te, SeñorComposed By – Francisco de la Torre |
2:05
|
| E4a |
FantasiaComposed By – Luis de Narvaez* |
1:10
|
| E4b |
Dulces ExuviaeComposed By – Alonso Mudarra |
3:40
|
| E5a |
E Qui La DiraArranged By – Cabezon*Composed By – Willaert* |
1:50
|
| E5b |
Doulce MemoireComposed By – Ortiz*, Sandrin* |
3:15
|
| E5c |
Lindos Ojos Aveys, SeñoraComposed By – Juan Vasquez |
1:10
|
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Per Cantare E Sonare
|
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The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved
|
| F1a |
Recercare A 4Composed By – Giulio Da Modena* |
2:00
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| F1b |
Madonna, Qual CertezzaComposed By – Willaert*, Barberiis*, Verdelot* |
4:30
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| F2a |
Ricercare A 3Composed By – Giulio Tiburtino* |
2:00
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| F2b |
De La Belle ContradeComposed By – Cipriano De Rore |
2:45
|
| F3a |
Canzona FranceseComposed By – Andrea Gabrieli |
4:45
|
| F3b |
Occhi LucentiComposed By – Luca Marenzio |
2:25
|
| F4a |
Canzona FranceseComposed By – Claudio Merulo, Terzi* |
4:45
|
| F4b |
O Voi Che SospirateComposed By – Luca Marenzio |
3:40
|
| F5a |
Canzona FranceseComposed By – Carlo Gesualdo |
2:20
|
| F5b |
Mille Volte Il Dio MoroComposed By – Carlo Gesualdo |
3:00
|
| F6 |
Sanctus Dominus DeusComposed By – Giovanni Gabrieli |
2:05
|
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The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620)
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Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent
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| G1a |
Thatt Was My WooComposed By – Robert Fayrfax |
2:00
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| G1b |
I Love, LovedComposed By – Robert Fayrfax |
2:55
|
| G2a |
In NomineComposed By – Christopher Tye |
2:15
|
| G2b |
Blame Not My LuteComposed By – Anon.*, Wyatt* |
1:55
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| G2c |
Lady WynkFyldes RowndeComposed By – Anon.* |
1:20
|
| G2d |
Where Griping GriefsComposed By – Anon.*, Edwards* |
1:05
|
| G3a |
Shooting Of The Guns PavanComposed By – Anon.* |
2:35
|
| G3b |
Wand'ring In This PlaceComposed By – Michael Cavendish |
3:00
|
| G3c |
Dolorosa PavanComposed By – Richard Alison* |
3:50
|
| G4a |
Now Each Flowery BankComposed By – Orlando Gibbons |
3:15
|
| G4b |
The Leaves Be GreeneComposed By – William Inglot* |
3:30
|
| G4c |
Le RossignolComposed By – Anon.* |
1:30
|
| G4d |
Musick And MirthComposed By – Tobias Hume |
2:00
|
|
The Wind Of Change (The Changes Which Led European Society Into A New Age)
|
|
They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe
|
| H1 |
La BrillantinaComposed By – Guiseppi Guami* |
3:00
|
| H2 |
Sta NotteComposed By – Anon.* |
2:25
|
| H3 |
SonataComposed By – Giovanni Fontana* |
6:30
|
| H4 |
Nerinda BellaComposed By – Rafaello Rontani |
3:25
|
| H5 |
ToccataComposed By – Girolamo Frescobaldi |
5:15
|
| H6 |
Lamento D'OlimpiaComposed By – Claudio Monteverdi |
6:00
|
| H7 |
Thus Sang OrpheusComposed By – Walter Porter |
3:20
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The 20-page black and white booklet the size of the box contains notes and sung-texts in English, French and German.
It also has a track and credits-list, photos and a sources-list. Designed and printed by Mundoprint BV.
Box cover illustration: Lorenzo Costa (c.1460-1535) - 'The Court of Isabella d'Este' (Louvre, Paris).
Booklet cover illustration: Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam).