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Palace Theatre, Waterburg, CT, May 6, 1973
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| 1 |
–King Crimson |
Train To Hell* (Incl. Late Night*)Recorded By – Brian Eno, Fripp* |
5:23
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| 2 |
–King Crimson |
Trio**Drums – Bill BrufordMellotron – Robert FrippViolin – David CrossVocals, Bass – John Wetton |
7:59
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Giles, Giles & Fripp
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| 3 |
–Giles, Giles And Fripp |
Newly WedsVocals – Robert FrippWritten-By – Peter Giles |
2:45
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| 4 |
–Giles, Giles And Fripp |
Under The SkyWritten-By – Robert Fripp |
4:01
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| 5 |
–Giles, Giles And Fripp |
She Is LoadedWritten-By – Peter Giles |
3:15
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Jazz Club, Chesterfield, September 7, 1969
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| 6 |
–King Crimson |
Why Don't You Just Drop In*Bass – Greg LakeFlute, Saxophone, Keyboards – Ian MacDonald*Mellotron, Guitar – Robert FrippPercussion – Michael GilesVocals – Greg Lake, Ian MacDonald* |
6:28
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The Shame Feat. Greg Lake
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| 7 |
–The Shame Feat. Greg Lake |
Don't Go Way Little GirlKeyboards – James DickensonLead Vocals, Guitar, Sitar – Greg LakeLyrics By – Janis Ian |
| 8 |
–The Shame Feat. Greg Lake |
Travel Weary Unicorn |
3:11
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Jazz Club, Chesterfield, September 7, 1969
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| 9 |
–King Crimson |
Devil's Triangle** (Incl. Yadda Ho* And Garden Of Worms**) |
29:17
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German "Beat Club"-TV Show, Bremen, November 1972
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| 10 |
–King Crimson |
Bonus Track: Lark's Tongues In Aspic (Part 1)Percussion – Jamie Muir |
6:03
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Track 3 appeared in the LP "The Cheerful Insanity Of Giles, Giles And Fripp" in 1968.
Tracks 4 and 5 appeared in the CD "The Brondesbury Tapes " by Giles, Giles & Fripp, edited in 2001.
Track 7 and 8 are treated as the same track on the cd, with a total running time of 3:11.
Recording quality varies, from fair quality live tapes to studio quality outtakes and singles. “Late Night” is the Fripp and Eno tape that was played before shows. [1] is the best quality Muir track to surface so far, but is incomplete, ending before the David Cross solo section that leads into the final coda.